Akhmatova's poetry analysis. Analysis of poems by A.A

There is probably no other people in the world who have experienced as many wars as the Russians had to experience. But despite this, we are free, our language is free. Thanks to the fact that our people showed courage in all the clashes and strife that occurred during different periods of Russian history, millions of people speak Russian. It is precisely this same courage that the poem by Anna Andreevna Akhmatova, the great Russian poetess of the 20th century, who, together with the entire country, experienced the greatest grief of that century, is dedicated to.

The poem was written in 1942, just when the Great Patriotic War began. I think that everyone who reads this work cannot help but be overwhelmed by a feeling of patriotism and pride in their homeland. In it, Anna Andreevna not only hopes that the people of our country will be able to protect her, she is confident in this, which she proves with the help of the verbs “we will save”, “we will carry”, “we will give”, “we will save”, thereby instilling this confidence in the souls of all who read.

The poem sounds like an oath, it even ends with the word “forever,” which in meaning could be replaced by the verb “we swear.” In general, it is organized into one stanza, there are no micro-themes in it, one idea can be traced throughout the entire content - the promise to preserve the Russian language, no matter what the cost to us.

“It’s not scary to lie under dead bullets, it’s not bitter to be left homeless...” - with these words Akhmatova shows what sacrifices the people are ready to make in order to save our Russian speech.

The poetess writes in amphibrach tetrameter; thanks to this size, the poem is not read quickly, while attention is focused on almost every word. This again emphasizes the significance of future events. Thus, the person who reads these lines is inspired and ready to fight. I think they actually served as good moral support for many people in a huge country during those difficult war years.

Akhmatova does not use too many figurative and expressive means, which makes the poem unusual, which indicates that it is written on a very serious topic. And yet, in the Russian language that Anna Andreevna so glorifies, it is impossible to express absolutely no feelings without emotions. Therefore, the text highlights the paths through which the author manages to show love for his native country and everything connected with it; epithets (“the great Russian word”, “free and pure...”) play a special role in creating this effect. No less important is the use of personification (“courage will not leave”), metaphor (“the hour of courage has struck on our clock”).

In several lines of the work one of the stylistic figures is observed - inversion (“what now lies on the scales”, “courage will not leave us”). At the beginning of the poem there is a repetition of the words “now”, “courage”, which is usually used to focus our attention on individual, especially important points. For the same purpose, the author also uses anaphora (“it’s not scary to lie under dead bullets, it’s not bitter to be homeless”). The last sentence is exclamatory, which seems to call and encourage action.

The alliterative series of sounds [m], [n], [r] makes the poem, one might say, loud, with the help of this it sounds solemn, abrupt, creating a clear feeling that these inspiring words are addressed to the whole country, to each of its inhabitants.

Anna Akhmatova writes the first eight lines in cross rhyme, alternating female and male rhymes. The last two lines rhyme with each other using a masculine rhyme and sound like a conclusion, a conclusion. The poem ends with one succinct word - “forever.”

This work by the greatest Russian poetess, I think, clearly contributed to the rise in morale of our entire people during the war years. Anna Andreevna Akhmatova is a true patriot of our homeland, which she confirmed with her poem, her true love for her native speech.

“A great Russian word,” she writes, showing us all the importance of our Russian language. We should all think about and realize how important it is to preserve the value of these concepts in modern society, just as our ancestors preserved it for us. We are obliged to carry it through the centuries, pass it on to our descendants, and swear that we will “give it to our grandchildren and save it from captivity forever.”

Anna Akhmatova did not like being called a poetess. She heard something disdainful in this word. Her poetry, on the one hand, was very feminine, intimate and sensual, but, on the other hand, it also contained quite masculine themes, such as creativity, the historical upheavals of Russia, and war. Akhmatova was a representative of one of the modernist movements - Acmeism. Members of the group "Workshop of Poets" - an organization of Acmeists - believed that creativity is a kind of craft, and the poet is a master who must use the word as a building material.

Akhmatova as an Acmeist poet

Akemism is one of the movements of modernism. Representatives of this trend came into conflict with the Symbolists and their mysticism. For Acmeists, poetry is a craft that can be learned if you constantly practice and improve. Akhmatova was of the same opinion. Acmeists have few images and symbols in their poems; words are selected carefully, so it is not at all necessary to use them in a figurative sense. One of the most famous poems that Akhmatova wrote is “Courage.” Analysis of the poem shows how significant the Russian language was for the poetess. Ator treats him very reverently and respectfully: this is manifested both at the level of form and at the level of content. practically none, the phrases are short and succinct.

Anna Akhmatova "Courage"

We need to start with the history of creation. Anna Akhmatova began work on the collection “Wind of War” immediately after it began, in 1941. This was supposed to be her contribution to the victory, her attempt to raise the morale of the people. The poem "Courage" was included in this cycle of poems and became one of the most striking.

Theme and idea of ​​the poem

The main theme of the poem is the Great Patriotic War. Akhmatova implements this theme in her own way. The main thing that people need, Akhmatova believes, is courage. An analysis of the verse shows how in just a few lines the poetess was able to express the idea that enemies are claiming to destroy Russian culture and to enslave the Russian people. She does this by naming the most important thing for a Russian person - the Russian language, original and unique.

Meter, rhyme, rhetoric and stanza

An analysis of the poem “Courage” by Akhmatova must begin with a consideration of its construction. It is written in amphibrachic pentameter. This size gives the verse recitativeness and clarity; it sounds abrupt, inviting, and rhythmic. The poem has three stanzas. Two of them are full-fledged quatrains, that is, they consist of four lines connected by cross rhyme. The third stanza ends unexpectedly on the third line, which consists of only one word - “forever.” Akhmatova thereby emphasizes the significance of this word, her steadfastness and confidence in the power of the Russian people and the country as a whole. With this word she sets the general mood of the text: Russian culture will exist forever, no one can destroy it. Of course, neither the language nor the culture of a country can survive without the people, who must show courage and simply cannot give up.

"Courage", Akhmatova: analysis of means of expression

In any poem there is always a point of “means of expression”. Moreover, it is not enough to simply write them out; you also need to determine the function of each of the means in the text. As noted above, the Acmeists used few figurative means in their poems; Akhmatova adhered to the same principle. “Courage,” the analysis of which necessarily requires consideration of lexical and syntactic figures of speech, is of great interest. The poem begins with “Our hours” - this is a gloomy modernity. Akhmatova fell on hard times: the First World War, revolution, civil war... And now the Second World War... Akhmatova did not leave the country when the first wave of emigration subsided, and she did not leave it during the years of Hitler’s invasion. Akhmatova personifies Russian speech and the Russian word, addressing him as a friend, using “you”. In connection with this personification, a metaphor arises - we will save you from captivity. This metaphor means that if Hitler’s Germany had won over Russia, the Russian language would have faded into the background, children would not have been taught it, and it would have stopped developing. And the decline of the Russian language means the complete decline of Russian culture and the destruction of centuries-old traditions and the nation as a whole.

In the poem, the author draws attention to certain meanings: hour-hours, courage-courage (in the first stanza). The poetess also used syntactic parallelism in the second stanza, which enhances the effect of the expressed idea that the Russian people will fight desperately, to the last drop of blood, not sparing themselves, showing courage. Akhmatova (analysis has proven this) does not betray the canons of Acmeism, but speaks about a topical problem.

Young Anna Akhmatova had an idol whom she admired and considered him a great poet of that time. She appreciated every chance meeting with him, and only once did she muster the courage to come to his home without an invitation.

Analysis of the poem Poem without a hero by Akhmatova

One of Akhmatova’s most fundamental creations is the Poem without a Hero, which covers various periods of the poetess’s life and tells about the fate of Akhmatova herself, who survived her creative youth in St. Petersburg, the besieged city and many adversities.

Analysis of the poem The Verdict (And the stone word fell...) by Akhmatova

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Analysis of the poem Akhmatova's Oath

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Analysis of the poem Pobeda Akhmatova

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Analysis of the poem Tear-stained Autumn, like Akhmatova’s widow

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Analysis of the poem Sad Akhmatova

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Analysis of the poem Poet Akhmatova

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Analysis of the poem Confusion by Akhmatova

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Analysis of the poem Primorsky Sonnet by Akhmatova

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Analysis of the poem to Miloy Akhmatova

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Analysis of the poem I don’t need Akhmatova’s odic armies

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Analysis of the poem Poems about Petersburg by Akhmatova

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Analysis of the poem Solitude by Akhmatova

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Analysis of Akhmatova's poem I had a voice. He called comfortingly...

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Analysis of Akhmatova's poem Song of the Last Meeting

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Analysis of the poem Courage by Akhmatova grades 6, 7, 10

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Analysis of the poem by Evening Akhmatova

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Analysis of Akhmatova's poem Prayer

In 1915, Akhmatova’s poem was published, which was called “Prayer”. This poem has conquered the world to some extent. Because the poetess lived in those times when it was difficult for everyone, including her

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Analysis of Akhmatova's poem Summer Garden

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Analysis of Akhmatova's poem White Night

Twentieth-century literature has developed certain recurring themes, one of which is the theme of time. “White Night” is one of the few early poems by Akhmatova in which the work of temporary relationships

Analysis of Akhmatova's poem Requiem poem 11th grade essay

The Russian poetess Anna Akhmatova faced difficult trials. Her poem “Requiem” is dedicated to the difficult years of Stalin’s repressions for the country, when many people were innocently arrested

Analysis of Akhmatova’s poem I am not with those who abandoned the earth...

From the first line of the poem, Akhmatova separates herself from “those”. The author is fundamentally not with them. And who are they? These are those who not only left their homeland, but left it to their enemies to be torn to pieces.

Analysis of Akhmatova's poem Native Land, grade 6

The poem is called “Native Land” - this is a very important word for everyone. In fairy tales, heroes always carried a handful of their native land with them. And she helped them - she gave them strength in battles. Even at the most dangerous moment she helped out!

Analysis of Akhmatova's poem Muse

The brilliant lyricist and philosopher, poetess Anna Akhmatova in the poem “Muse” arranges an “interrogation” of the lyrical heroine on behalf of the Muse.

Analysis of Akhmatova’s poem I’m not asking for your love...

In 1914, A. Akhmetova published a new work, and if we consider it with other works of the poetess, it looks quite simple and unpretentious.

Analysis of Akhmatov's poem Twenty-one. Night. Monday (21 nights)

The theme of the poem is laconic and simple. It carries with it complete disappointment in the existence of love and a rethinking of some values. Akhmatova speaks ironically about this feeling, which brought her pain and suffering.

Analysis of the poem by Akhmatova Clasped her hands under a dark veil...

The poem is a striking example of the creativity of the great Russian poetess. Here Anna Akhmatova, as always, colorfully conveyed the inner state of the protagonist in just a few lines, while endowing each of them with a unique set of qualities

Analysis of Akhmatova’s poem There are days before spring, grade 6

Anna Akhmatova's poem "Before spring there are such days" is distinguished by its brevity and genius, like many of the works of the great poetess. The work describes the time when winter ends and spring is about to come.

Analysis of Akhmatova's poem Love

Anna Akhmatova, poetess who wrote poems about earthly love. Her sincere, piercing lines about this complex feeling fill her entire life. At the same time, the language is understandable to anyone, because every person on Earth

Analysis of the poem I wish I could get sick Akhmatova

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Analysis of the poem I learned to live wisely Akhmatova

Akhmatova wrote “I learned to live simply, wisely” quite early, at the dawn of her own creative career, when a significant amount of time remained before her creative acme.

The work is one of the poems included in the poetic cycle called “Secrets of the Craft,” which reveals the theme of the relationship between the creative process and the poet.

The storyline of the poem is to describe the life of a creative person through the worldview of the poetess, using the view of an ordinary person enjoying a carefree life. The main theme of the work is revealed in the author’s own thoughts about the surrounding nature and the purpose of the artistic word in the existing world.

The poem is a realistic text with a predominance of calmly reasonable, sometimes ironic and down-to-earth intonations, expressing the stylistic meaning of the work, contained in the author’s ideas about poetic inspiration, the sources of which are musical sounds and natural sketches.

As a means of artistic expression, the poem uses parallelism techniques, in which landscape pictures are compared with the emotional state of the lyrical hero, as well as numerous reminiscences demonstrating the high mission of a creative person. In addition, the poetess dilutes the narrative by including comic metaphors in the work, borrowed from naval terminology, which give the poems a peculiar ironic effect.

The lexical feature of the poem is the use of finite verbs and verbs of indefinite forms that replace each other.

The main content of the work describes in an ironic tone the typical habits of creative representatives, and at the end of the poem the poetess moves on to depicting her own position, which sounds the idea of ​​​​the natural nature of the poetic gift, compared with the appearance of weeds, distinguished by an indestructible love of life in the form of dandelions, burdocks, and quinoa. At the same time, visual images are added by the inclusion of sound and olfactory elements, expressing the author’s recognition of receiving inspiration from the secret silence of the night and in the feeling of the craftiness of life’s existence.

The literary significance of a poem written in the traditions of Russian lyricism lies in the understanding of the special sensitivity and responsiveness of poetic talent, praising the divinity of the Muse, creating unique and immortal literary opuses.

Analysis of the poem Poet according to plan

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Brief history of creation. The poem was written on July 11, 1959 in the village of Komarovo. Refers to the late stage of the poetess’s work.

Theme of the poem. In Russian literature, much attention was paid to the theme of the poet and poetry. A. Akhmatova did not ignore this topic either. Many of her works are devoted to the theme of the role of the poet, including the poem “The Poet.”

Plot. The life of a poet, at first glance, is simple and carefree. I heard something, spied it somewhere, passed it through my worldview, and now a new literary opus is ready. This is a look at poetry from the perspective of a common man in the street. And perhaps there is some truth in this. After all, Akhmatova herself admits that she draws her inspiration from "the evil life" And "silence of the night".

Artistic media.

• poetic size, trimeter amphibrachium (emphasis on the second syllable), scheme:

  By-/du?-/ma-/eat/, then?-/same/ra-/bo?/ta, -
  Bes-/pe?h-/no-/e e?-/to/ life?:
  Under-/slu?-/shat/ u/ mu?-/zy-/ki/ what?-/then
  And/ you?-/give/ shu-/cha?/ for/ your-/e?.

  _ _?_ /_ _?_ /_ _?_
  _ _?_ /_ _?_ /_ _?
  _ _?_/ _ _?_/_ _?_
  _ _?_ /_ _?_/_ _?

• rhyme cross (AbAb), alternating feminine (emphasis on the penultimate syllable) work - something and masculine (stress falls on the last syllable) life is your own rhymes. In terms of accuracy of consonance, the rhyme is considered poor (matching the stressed vowel):
  • ... work (A)
  • ... living (b)
  • ... something (A)
  • ... my (b)
• trails and stylistic figures:
  • personification poor heart groans so much.
  • the second stanza is built on antitheses: merry-moaning, poor-brilliant.
  • irony, words speak about the frivolity of statements something, someone’s, some and, as a result: jokingly pass off as one’s own.
  • epithets This is a carefree life, a cheerful scherzo, a poor heart, a smoke screen, an evil life, the silence of the night. Epithets carefree, cheerful, crafty set up a positive perception.

The poem is written in an easy form, reads in one breath, there are no heaps of images. The author seems to be addressing each listener personally. In words “just think, it’s also work” it provokes one to challenge or agree with this statement. The main task of a poet is not just to listen and listen, but to be able to "overhear". And if music makes it easy to do this, then the forest is not so simple, in it "silent pines". And the best place for poetry is "silence of the night".

Lyrical hero poems. Russian literature, and indeed all world literature, cannot boast of a large number of female surnames. At one time, A. Akhmatova had to defend for a long time her right to be considered a real poet. The poem “Poet” sounds like the author’s self-report to the audience. In a deliberately ironic form, the lyrical hero tells us about poetic talent “Just think, it’s also work, it’s a carefree life”. And then he subtly notices that only a poet is capable “to listen to something from the music..., and then to listen to it from the forest, from the pine trees”. The lyrical hero shares with us where he gets his inspiration “life has a little evil, and everything is in the silence of the night”. The poem is completely impersonal. This is achieved through the use of pronouns and verbs in the indefinite form. If you don’t know who the author is, then it’s impossible to guess on whose behalf it was written.

Literary direction. A. Akhmatova began her creative biography at a time when symbolism was experiencing a crisis, and therefore she joined the group of Acmeist poets. The new direction in literature advocated the rejection of the oversaturation of lyrics with symbolism. They proclaimed the beginning of a new literature in which the reality of the earthly world reigns supreme. In Akhmatova’s poetry, everything is clear and concise.

• “Requiem”, analysis of Akhmatova’s poem
• “Courage”, analysis of Akhmatova’s poem
• “I clenched my hands under a dark veil...”, analysis of Akhmatova’s poem